Israeli‑made documentary NAZA will open screens in more than 56 territories before becoming available on the Guardian website, following a record‑setting standing ovation at the Venice Film Festival earlier this month.

The Guardian produced the film, which follows the experiences of civilians in Gaza during Israel’s offensive, and has already earned accolades for its unflinching look at the conflict.

According to the Guardian, the film was met with a 25‑minute standing ovation at Venice, a festival record that underscores the work’s emotional impact.

"The film received a 25‑minute standing ovation at Venice, a festival record."

A film that turns the spotlight on Gaza

NAZA, directed by Yuval Abraham and Rachel Szor, follows ordinary residents of Gaza as they navigate the violence unleashed by Israel’s military campaign. The documentary shows the devastation of streets, the loss of life, and the resilience of those caught in the cross‑fire.

Produced in partnership with the Guardian, the film offers a perspective rarely seen in mainstream Western media, aiming to humanise the victims and bring their stories to an international audience.

Gaza street after bombing

From Venice to the world

The film premiered at the Venice Film Festival on 20 September, where it was screened before an audience of industry insiders and critics. The reaction was swift: a 25‑minute standing ovation that broke the festival’s previous record for a documentary.

The Guardian announced that NAZA will be released theatrically in over 50 countries, with a staggered rollout planned over the next month. The film will then be available for streaming on theguardian.com, making it accessible to a global audience beyond cinema-goers.

Reactions and context

Reactions to NAZA have been mixed, reflecting the divisive nature of the Gaza conflict. Supporters praise the film for its candid portrayal of civilian suffering, while critics argue that it presents a one‑sided view of events.

The Guardian’s involvement in the production has drawn attention to the role of mainstream media in shaping narratives about the war. By collaborating with Israeli filmmakers, the newspaper has positioned itself as a conduit for voices from within the conflict zone.

Looking ahead

The release of NAZA comes at a time when the Gaza war remains a flashpoint in international politics, with ongoing casualties on both sides. The documentary’s global distribution may influence public perception and add to the growing body of media that documents the humanitarian cost of the conflict.

Screenings are set to begin in cinemas across Europe and the Americas next week, followed by releases in Asia and the Middle East. The Guardian will host a panel discussion with the filmmakers and experts in international law on 1 October, coinciding with the film’s final theatrical date in the UK.